Ακαδημαϊκός Τίτλος | Έτος | Ίδρυμα |
PhD in Music Composition | 2009 | The University of York |
MA in Music Composition | 2005 | The University of York |
MMus in Performance | 2014 | The University of Hull |
BMus | 2004 | The University of Hull |
Περίοδος Εργοδότησης | Εργοδότης | Τόπος | Θέση | |
Από | Μέχρι | |||
2015 | σήμερα | Ευρωπαϊκό Πανεπιστήμιο Κύπρου | Κύπρος | Λέκτορας, Μουσική Θεωρία και Σύνθεση |
2011 | 2015 | Ευρωπαϊκό Πανεπιστήμιο Κύπρου | Κύπρος | Επιστημονικός Συνεργάτης |
2012 | σήμερα | Μουσικό Σχολείο, ΥΠΠ | Κύπρος | Καθηγητής Κιθάρας |
Έτος | Τίτλος | Άλλοι συγγραφείς | Επιστημονικό Περιοδικό και Εκδότης / Συνέδριο |
2018 | ΔΙΠΛΟΦΩΝΙΑ-DIPLOPHONIA, World Music Days 2018, Beijing, China (ISCM) | ||
2017 | …une petite note, 9th International Contemporary Music Festival, Nicosia, Cyprus Music for Theatre (Οδυσσεβάχ), Satiriko Theatre, Nicosia | ||
2016 | ΤΗΘΥΣ-TETHYS, Music for the 21st Century: National Opera Centre of New York (US) | ||
2011 | Palindromon en palindrome for Bass Clarinet (music excerpts) | Book: Sparnaay, H. The Bass Clarinet: A Personal History. Periferia Music | |
2010 | ΔΙΠΛΟΦΩΝΙΑ-DIPLOPHONIA per flauto | ARS Publica Edizioni Musicali | |
2017 | ‘The end justifies the means’: unorthodox playing techniques in Sciarrino and Lachenmann | 7th International Musicological Conference MODUS-MODI-MODALITY, Nicosia, Cyprus | |
2015 | A Coloured Theatre: non-conventional instrumental techniques and audio-visual continua in Sciarrino and Lachenmann | International Colloquium From Xenakis to the present day: the Continuum and its development in music and architecture organized by Centre Iannis Xenakis, in Normandy, France |
Τίτλος | Επιχορήγηση Από: | Ρόλος στο Ερευνητικό Projects * |
Young Performers Repertoire which is part of Interfaces research program (With the support of the Creative Europe Program, “Interfaces” unites 9 diverse partners from 8 European countries with the main objective of engaging new audiences of all ages and potential audience segments that, for a variety of demographic or cultural reasons, have not yet been exposed to the music of our time). | Συντονιστής στο Action 51 |
Date | Title |
2018 | Spontaneous Combustion Commission Prize |