Georgios Christofi
Assistant Professor, Music Theory and Composition
G.Christofi@euc.ac.cy
22713242
School of Humanities, Social and Education Sciences
Department of Arts
Academic Qualifications
| Qualification | Year | Awarding Institution |
| PhD in Music Composition | 2009 | The University of York |
| MA in Music Composition | 2005 | The University of York |
| MMus in Performance | 2014 | The University of Hull |
| BMus | 2004 | The University of Hull |
Employment History
| Period of employment | Employer | Location | Position | |
| From | To | |||
| 2015 | present | European University Cyprus | Cyprus | Lecturer, Music Theory and Composition |
| 2011 | 2015 | European University Cyprus | Cyprus | Scientific Collaborator |
| 2012 | present | Music Schools of the State, Ministry of Education and Culture | Cyprus | Classical Guitar Instructor |
Publications
| Year | Title | Other authors | Journal and Publisher / Conference |
| 2018 | ΔΙΠΛΟΦΩΝΙΑ-DIPLOPHONIA, World Music Days 2018, Beijing, China (ISCM) | ||
| 2017 | …une petite note, 9th International Contemporary Music Festival, Nicosia, Cyprus Music for Theatre (Οδυσσεβάχ), Satiriko Theatre, Nicosia | ||
| 2016 | ΤΗΘΥΣ-TETHYS, Music for the 21st Century: National Opera Centre of New York (US) | ||
| 2011 | Palindromon en palindrome for Bass Clarinet (music excerpts) | Book: Sparnaay, H. The Bass Clarinet: A Personal History. Periferia Music | |
| 2010 | ΔΙΠΛΟΦΩΝΙΑ-DIPLOPHONIA per flauto | ARS Publica Edizioni Musicali | |
| 2017 | ‘The end justifies the means’: unorthodox playing techniques in Sciarrino and Lachenmann | 7th International Musicological Conference MODUS-MODI-MODALITY, Nicosia, Cyprus | |
| 2015 | A Coloured Theatre: non-conventional instrumental techniques and audio-visual continua in Sciarrino and Lachenmann | International Colloquium From Xenakis to the present day: the Continuum and its development in music and architecture organized by Centre Iannis Xenakis, in Normandy, France |
Exhibitions
Research Projects
| Title | Funded by | Project Role* |
| Young Performers Repertoire which is part of Interfaces research program (With the support of the Creative Europe Program, “Interfaces” unites 9 diverse partners from 8 European countries with the main objective of engaging new audiences of all ages and potential audience segments that, for a variety of demographic or cultural reasons, have not yet been exposed to the music of our time.) | Co-ordinator of Action 51 |
Academic Consulting Services/Councils/Boards/Editorial Committees
Awards/International Recognition
| Date | Title |
| 2018 | Spontaneous Combustion Commission Prize |